本次『 解構與組成 』椅凳與人座雕像展， 精選出6件人座的雕像與椅凳。
坐姿表現的雕像在造型上，始終傳達著一種永恆和寧靜的感覺，當雕像與椅凳結合時，椅凳為雕像賦予了一種獨特的安定感，彷彿兩者間的對話將靜態的姿態轉化為充滿力量與平靜的視覺體驗。
在非撒哈拉非洲文化中，坐姿的古老至少可以追溯到公元前2700年。
早期王朝埃及的幾個原型。 在古希臘，人們發現女性人物和豎琴的坐姿
大約在B.2700。
在非洲部落中椅凳是極私人的物件，被視為靈魂的載體，並具有非凡的象徵，男性代表著權力，女性為生育和創造的力量 。
因此，每個人都視自己的椅凳為珍寶。在一些部族中，只有部族首領、祭祀、巫醫、權貴等人才能擁有自己的板凳。
它們透過設計和形象，傳達出權力的威嚴和象徵性，成為生活上和各領域不可或缺的一部分。
"Deconstruction and Composition – Chairs, Stools, and Human Figurative Sculptures"
This exhibition features a selection of six human figurative sculptures and stools. The sculptures, depicting seated postures, always convey a sense of eternity and tranquility. When combined with the stools, the chairs provide the sculptures with a unique sense of stability, transforming the static posture into a visual experience filled with power and calm. The dialogue between the two elements creates a fascinating synergy.
In Sub-Saharan African cultures, the depiction of seated figures can be traced back to as early as 2700 BCE. Early dynastic Egypt presented several iconic seated figures, and in Ancient Greece, seated female figures were also commonly portrayed alongside lyres around this time.
In African tribes, stools are deeply personal objects, regarded as vessels for the soul and imbued with significant symbolism. For men, stools represent power; for women, they symbolize fertility and the power of creation. As such, individuals view their stools as precious treasures. In certain tribes, only tribal leaders, priests, shamans, and nobility were allowed to possess their own stools, making them exclusive and highly revered.
